{"id":65802,"date":"2025-07-25T12:02:59","date_gmt":"2025-07-25T11:02:59","guid":{"rendered":"https:\/\/cinehill.eu\/jafar-panahi-on-creativity-under-repression-travel-ban-gave-me-time-for-new-projects\/"},"modified":"2025-07-27T14:38:20","modified_gmt":"2025-07-27T13:38:20","slug":"jafar-panahi-on-creativity-under-repression-travel-ban-gave-me-time-for-new-projects","status":"publish","type":"post","link":"https:\/\/cinehill.eu\/en\/jafar-panahi-on-creativity-under-repression-travel-ban-gave-me-time-for-new-projects\/","title":{"rendered":"Jafar Panahi on creativity under repression: Travel ban gave me time for new projects"},"content":{"rendered":"\n

Prior to accepting the Maverick Award, Jafar Panahi <\/strong>gave an inspiring Q&A at Rakov Jarak in which he talked about his life, politics, and filmmaking journey. He spoke about creativity under repression, the power of cinema as an instrument of resistance, and the importance of social responsibility and individual courage.<\/p>\n\n

\u201cWhen I was banned from traveling, I felt better\u201d, he said without hesitation, making it hard to tell if he was joking. \u201cI had more time to think about new projects. Now that I can travel again, I have to promote my films all around the world, from country to country, and it takes me a year.\u201d<\/p>\n\n

Despite his international visibility, Panahi laments that there are still scripts he hasn\u2019t been able to do \u2013 some of these were created in response to contemporary circumstances in Iran, and he hopes to be able to realise them soon. \n \nOne such script was inspired by his experience of being in prison: \u201cSeven months in prison gave me the opportunity to listen to the stories of other inmates. In a way, I have the Islamic regime to thank for the idea for this film.\u201d<\/p>\n\n

He points out that he does not make films out of a current impulse of rebellion, but as a vision of the future: \u201cThis regime will fall \u2013 I am sure of that. The question is: what do we do then? Will we continue with the violence or stop it? That\u2019s why my films are against violence.\u201d<\/p>\n\n

Panahi believes that film should not serve the regime, nor be afraid of its limitations: \u201cWhen they banned me from filming for 20 years, I said: no, I will find a way. I made This Is Not a Film <\/em>at my home. Then I made Taxi <\/em>on the streets of Tehran, as a taxi driver with a camera. It was like a manifesto \u2013 a message to young filmmakers: Don\u2019t get lazy. Find a way. Don\u2019t give up.<\/em>\u201d<\/p>\n\n

He was especially emotional when he spoke about his beginnings and collaborating with the great Abbas Kiarostami<\/strong>. \u201cAfter the film Through the Olive Trees,<\/em> we became close friends. At one point, without any notice, he blindfolded me and took me to the location of the last shot of that film. When I took the blindfold off, I realised how deeply he sees humans rooted in nature. I look at humans in society. That\u2019s the difference between our filmmaking \u2013 he would always turn his camera to nature, and I to people.\u201d<\/p>\n\n

His sensibility for creating complex female characters has been well-known since his debut feature, The White Balloon<\/em>, written by Kiarostami. \u201cIf you want to talk about restrictions in Iran, women are the ones who are most affected. They were the ones who led me on the path of socially engaged filmmaking.\u201d<\/p>\n\n

With the exception of The White Balloon<\/em>, all of Panahi\u2019s other films have been banned for release in Iran. However, thanks to the Internet, his works still find their way to the audience: \u201cDistant cities, remote villages \u2013 people come up to me and say that they have seen one of my films. This is our way of communicating, until one day we\u2019ll be able to watch movies in cinemas in Iran.\u201d<\/p>\n\n

Still, there are signs of change. After returning from Cannes, where No Bears<\/em> won the Special Jury Prize, he was greeted by friends, families of prisoners and colleagues at the airport: \u201cIt was a sign of hope \u2013 that the filmmakers\u2019 efforts have value, even under repression.\u201d<\/p>\n\n

Panahi also spoke of his own artistic maturation, recalling his first short film which, although technically correct, \u201chad no soul\u201d. Then, he says, he decided to look for his own creative voice. Panahi concluded by saying that he makes films primarily for himself. \u201cAt first, I ask myself \u2013 do I believe in this idea? If so, I put my name to it. If not \u2013 I throw it away. A movie has to have soul.<\/p>\n\n

When asked about the difference between reality and fiction in his films, he responded in a manner that very much aligns with his work: \u201cLet\u2019s leave that question open. Let the audience decide for themselves whether something really happened or not. It makes the imagination work harder\u201d, Panahi concluded.<\/p>\n","protected":false},"excerpt":{"rendered":"

Prior to accepting the Maverick Award, Jafar Panahi gave an inspiring Q&A at Rakov Jarak in which he talked about his life, politics, and filmmaking journey. He spoke about creativity under repression, the power of cinema as an instrument of resistance, and the importance of social responsibility and individual courage. \u201cWhen I was banned from […]<\/p>\n","protected":false},"author":5,"featured_media":65216,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_view_id":"","footnotes":""},"categories":[592],"tags":[],"class_list":["post-65802","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinehill-2025-en"],"acf":[],"yoast_head":"\nJafar Panahi on creativity under repression: Travel ban gave me time for new projects - Cinehill Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinehill.eu\/en\/jafar-panahi-on-creativity-under-repression-travel-ban-gave-me-time-for-new-projects\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jafar Panahi on creativity under repression: Travel ban gave me time for new projects - Cinehill Film Festival\" \/>\n<meta property=\"og:description\" content=\"Prior to accepting the Maverick Award, Jafar Panahi gave an inspiring Q&A at Rakov Jarak in which he talked about his life, politics, and filmmaking journey. 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