{"id":58681,"date":"2024-07-27T20:23:43","date_gmt":"2024-07-27T19:23:43","guid":{"rendered":"https:\/\/cinehill.eu\/jurica-pavicic-in-conversation-with-karim-ainouz\/"},"modified":"2024-07-27T20:23:43","modified_gmt":"2024-07-27T19:23:43","slug":"jurica-pavicic-in-conversation-with-karim-ainouz","status":"publish","type":"post","link":"https:\/\/cinehill.eu\/en\/jurica-pavicic-in-conversation-with-karim-ainouz\/","title":{"rendered":"Jurica Pavi\u010di\u0107 in conversation with Karim A\u00efnouz"},"content":{"rendered":"\n

On the third day of the festival, our programmer Jurica Pavi\u010di\u0107 talked to director Karim A\u00efnouz, in a Q&A also open to questions from the audience, at the CineChill zone. A\u00efnouz lives and works in Berlin, but his films are often set in a Brazilian context.<\/p>\n\n

This year, Cinehill is screening two films by the famous Brazilian director, Motel Destino<\/em><\/strong><\/a>, an erotic drama competing for the main festival award, the Cinehill Propeller, and The Invisible Life of Eur\u00eddice Gusm\u00e3o<\/em><\/strong><\/a>, in the program Stories from Brazil. All eyes are on Brazil at Cinehill, since it\u2019s the festival\u2019s partner this year.<\/p>\n\n

\u201cI wanted to make something colourful. I don\u2019t even know what that means, but I had a visceral need to make something really bright, colourful and energetic\u201d \u2013 said the director of Motel Destino<\/em>. The film was set to shoot in 2017, but given the political situation in Brazil and the pandemic, the project was postponed. \u201cIn the end, everything turned out great, since filming started just when humanity was coming back to life. The film recorded, or hoped to record, that moment, that energy and the feeling that life could end tomorrow and should be lived.\u201d<\/p>\n\n

\u201cHey, mind your own business\u201d, joked A\u00efnouz, referring, as he says, mostly to the French and Americans, yet never the Brazilians, who have at times reproached him for exoticizing Brazilian culture in his works. The selector of the festival\u2019s main program, Jurica Pavi\u010di\u0107, broached this interesting topic of exoticisation, that often occurs with films from the Balkans when they are considered for film festivals.<\/p>\n\n

\u201cI never even dreamed that I would become a director\u201d, said Karim A\u00efnouz, looking back on his biography. \u201cWhere I come from, you\u2019re allowed to hope for three careers when you grow up, and be either an engineer, lawyer, or doctor.\u201d In his case, he pulled off a trick, by graduating in architecture and becoming \u201calmost an engineer\u201d. He later received a scholarship for a Master\u2019s in film history at NYU. \u201cMy first contact with filmmaking was filming my grandmother in her eighties, in a desire to create some memories before she passed away. However, the grandmother lived to be 108 years old.\u201d The film, although originally consisting only of his grandmother\u2019s memories of her younger days, ended up being distributed in the US.<\/p>\n\n

This newfound talent and love for film would later develop into a fruitful career. But a lot of hard work went into it as well, remarks Pavi\u010di\u0107 calling him a workaholic, since he\u2019s currently working on three different films. What also makes this author exceptional is his genre and thematic breadth. He is currently working on a Japanese story recorded on 8 mm tape and an adaptation of the stories by the Brothers Grimm. His erotic thriller Motel Destino<\/em> was released this year, Firebrand<\/em> about the 15th<\/sup> century-English monarchy came out last year, and he\u2019s also done a documentary about Syrian refugees and many other frequently socially engaged topics.<\/p>\n\n

\u201cI\u2019m also inspired by what we very condescendingly call B movies. There are no A and B movies, there are only… movies\u201d, explains Karim A\u00efnouz, referring to the forgotten Brazilian porno-comedies made in the 90s. \u201cThese are comic erotic films that actually address something truly sublime. And they are always colourful. I often find inspiration in them.\u201d <\/p>\n\n

One of the questions from the audience touched on the sexual scenes that abound in both of A\u00efnouz\u2019 films shown at the festival. \u201cThese sex scenes are not there for the sake of the audience, but for the sake of the characters\u201d, he explains, saying that these scenes are able to give a better insight into the inner world of the protagonists. \u201cI think that intimate scenes have the power, for example, to portray the dread that people, especially women, experienced when they found themselves in the bedroom with a stranger who was to be their husband, in the case of an arranged marriage.\u201d<\/p>\n\n

The director emphasised that he cooperates with intimacy coordinators for the scenes, which he considers vital. \u201cIn the beginning I thought it wasn\u2019t necessary, because I know I would never do anything that would make someone uncomfortable. But then I realised that the coordinator was not there for my sake, but to make the actresses and actors feel comfortable with a certain scene,\u201d A\u00efnouz finished his reflections on cinematic art, society and contemporary reality.<\/p>\n","protected":false},"excerpt":{"rendered":"

On the third day of the festival, our programmer Jurica Pavi\u010di\u0107 talked to director Karim A\u00efnouz, in a Q&A also open to questions from the audience, at the CineChill zone. A\u00efnouz lives and works in Berlin, but his films are often set in a Brazilian context. This year, Cinehill is screening two films by the […]<\/p>\n","protected":false},"author":8,"featured_media":58626,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_view_id":"","footnotes":""},"categories":[504,40],"tags":[],"class_list":["post-58681","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinehill-2024-en","category-news"],"acf":[],"yoast_head":"\nJurica Pavi\u010di\u0107 in conversation with Karim A\u00efnouz - Cinehill Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinehill.eu\/en\/jurica-pavicic-in-conversation-with-karim-ainouz\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jurica Pavi\u010di\u0107 in conversation with Karim A\u00efnouz - Cinehill Film Festival\" \/>\n<meta property=\"og:description\" content=\"On the third day of the festival, our programmer Jurica Pavi\u010di\u0107 talked to director Karim A\u00efnouz, in a Q&A also open to questions from the audience, at the CineChill zone. 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