{"id":46279,"date":"2023-06-16T08:07:52","date_gmt":"2023-06-16T07:07:52","guid":{"rendered":"https:\/\/motovunfilmfestival.com\/zdenko-jelcic-ignites-the-flame-50-years-award\/"},"modified":"2023-07-14T13:39:25","modified_gmt":"2023-07-14T12:39:25","slug":"zdenko-jelcic-ignites-the-flame-50-years-award","status":"publish","type":"post","link":"https:\/\/cinehill.eu\/en\/zdenko-jelcic-ignites-the-flame-50-years-award\/","title":{"rendered":"Zdenko Jel\u010di\u0107 ignites the flame: 50 Years Award"},"content":{"rendered":"\n

The award, celebrating domestic filmmakers who have devoted their life-long careers to filmmaking and indebted Croatian cinema, has been presented since the early days of Motovun Film Festival<\/strong><\/p>\n\n

Running for a quarter of a century is a special achievement for a small film festival, but a fruitful and passionate acting career spanning half a century is an accomplishment of almost dizzying heights. Both of these feats deserve to be celebrated in a special way, among singular people. Therefore, as the festival reaches a new peak this year, in the mountains of Gorski Kotar, Cinehill\u2019s 50 Years Award<\/strong> will go to Zdenko Jel\u010di\u0107 \u2013 a Croatian thespian whose remarkable career was launched by playing Commander Ljubo in the Gorski Kotar-set drama series Kapelski kresovi<\/em>. The iconic show that marked the region famously made the streets empty as it aired, while audiences swooned at Commander Ljubo in front of their TV sets throughout Yugoslavia. Many residents of Gorski Kotar were extras in the series and participated in various other ways, and they still remember that period vividly. The occasion is also a moment of joyful nostalgia, in a re-encounter with Jel\u010di\u0107 half a century later.<\/p>\n\n

Born in \u010capljina, Zdenko Jel\u010di\u0107 fell in love with film in his youth, daily feeding his passion for the seventh art at Slavica cinema: \u201cI saw a different film every day. I saw everything, anything, and I saw it three times.\u201d Despite his great love of film, he took up acting only after arriving in Zagreb, while studying political science. Prompted by college friends, he was drawn deep into the world of theatre and never looked back. Since he never does anything half way, he finished his political studies and applied the same level of commitment to an impressive acting career that would ensue.<\/p>\n\n

This versatile actor stormed theatre stages, TV programmes and the big screen. \u201cWhen you work with a good director, there is no difference between working in theatre and on film,\u201d he says. During a career spanning half a century, he played in some of the most interesting Yugoslav and Croatian works, from dramas Don’t Lean Out the Window<\/em> (1977) and Occupation in 26 Pictures<\/em> (1978), to The Small Train Robbery<\/em> (1984) and Death Diploma<\/em> (1989), all the way to recent accomplishment \u2013 Das Fr\u00e4ulein<\/em> (2006) and Mare <\/em>(2020) directed by Croatian-Swiss director Andrea \u0160taka, Branko Schmidt\u2019s Vegetarian Cannibal<\/em> (2012), Rajko Grli\u0107\u2019s The Constitution<\/em> (2016), Josip \u017duvan\u2019s Carbide <\/em>(2022), and many more. To a broader audience he is also famous for playing Blago Anti\u0107 in the series The<\/em> Paper<\/em> (2006 \u2013 2020) directed by Dalibor Matani\u0107.<\/p>\n\n

The number of addresses he has changed in search of artistic satisfaction rivals the number of roles he has stared in. After the army and Kapelski kresovi, he returned to \u010capljina, where he founded the \u010capljina Summer, and after conquering the theatre stage in Dubrovnik, he headed to Paris. \u201cI earned my living as a pretty face. There were beautiful ladies in Paris, and I was hot,\u201d jokes Zdenko.<\/p>\n\n

He even spent 25 years in Switzerland, where he went for love, following his wife, Dijana. There, in the fold of the Schauspielhaus Z\u00fcrich, he performed a number of theatre and television roles. Commenting on how it is often difficult for actors to act in a foreign language, he laughs: \u201cI was lucky because my name was Zdenko Jel\u010di\u0107, so nobody would let me play a Swiss or a German, but I could be cast as a Russian or a Macedonian… I had to pretend I didn\u2019t speak German as fluently as I did.\u201d<\/p>\n\n

Without turning his back on acting even as he gets older, he adds literature to his list of artistic successes. He has written three books: \u201cThe first is about sex, the second is about theatre and the third is about Herzegovina.\u201d Of these, two have been published so far, U traganju za izgubljenim Narcisom<\/em> (2010) and Sponzoru\u0161a u Parizu<\/em> (2015). Commenting on Sponzoru\u0161a<\/em>, he laughs: \u201cThere was some fumbling, but most of it is true.\u201d<\/p>\n\n

One of his favourite films in which he also played a part is Don\u2019t Lean Out the Window<\/em> directed by Bogdan \u017di\u017ei\u0107, in which actor Ivo Gregurevi\u0107 made his debut. When asked what his favourite film is, he jokingly replies, \u201cI only watch films in which I act, because that\u2019s what a good director does, I don\u2019t even watch other movies.\u201d Adding in a more serious tone that he is still a classicist at heart and prefers old films: \u201cA film is a story told in pictures, without excessive dialogue. Casablanca<\/em> is still my favourite.\u201d<\/p>\n\n

He expects three things from an actor: authenticity, autonomy and being autochthonous, one leads to the other. \u201cBeing autochthonous is the country where you are from, family, a wider community. An actor who possesses these three things is bound to be a good actor,\u201d and Zdenko Jel\u010di\u0107 undoubtedly is.<\/p>\n\n

The 50 Years Award will be presented in cooperation with the Croatian Film Directors\u2019 Guild, at the 25th<\/sup> edition of Cinehill Motovun, which will be held in Motovun and Gorski Kotar, 22 \u2013 29 July. \n \n\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"

The award, celebrating domestic filmmakers who have devoted their life-long careers to filmmaking and indebted Croatian cinema, has been presented since the early days of Motovun Film Festival Running for a quarter of a century is a special achievement for a small film festival, but a fruitful and passionate acting career spanning half a century […]<\/p>\n","protected":false},"author":8,"featured_media":46276,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_view_id":"","footnotes":""},"categories":[399,40,420],"tags":[],"class_list":["post-46279","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mff-2023-en","category-news","category-press-en-3"],"acf":[],"yoast_head":"\nZdenko Jel\u010di\u0107 ignites the flame: 50 Years Award - 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