{"id":37256,"date":"2022-06-15T11:30:26","date_gmt":"2022-06-15T10:30:26","guid":{"rendered":"https:\/\/motovunfilmfestival.com\/redatelj-goran-markovic-ovogodisnji-je-maverick-motovunskog-festivala\/"},"modified":"2022-06-19T17:15:22","modified_gmt":"2022-06-19T16:15:22","slug":"redatelj-goran-markovic-ovogodisnji-je-maverick-motovunskog-festivala","status":"publish","type":"post","link":"https:\/\/cinehill.eu\/en\/redatelj-goran-markovic-ovogodisnji-je-maverick-motovunskog-festivala\/","title":{"rendered":"GORAN MARKOVI\u0106 \u2013 THIS YEAR’S MOTOVUN FILM FESTIVAL MAVERICK"},"content":{"rendered":"\n

His films have become part of national mass culture <\/strong>\u2022<\/strong> Markovi\u0107 is exposed to unprecedented media harassment in his own country<\/strong><\/p>\n\n\n\n

This year\u2019s laureate of Motovun Film Festival\u2019s Maverick Award, given to authors for their free spirit and innovation in expanding the horizons of filmmaking, is the Belgrade filmmaker Goran Markovi\u0107. MFF programmer Jurica Pavi\u010di\u0107 explains why.<\/p>\n\n\n\n

\u201cMotovun Maverick Award is usually given to filmmakers who swim against the tide \u2013 against the predominant taste, \u201cdesirable\u201d appearances and wide popularity. Seemingly, Goran Markovi\u0107 is not such a Maverick. Most of his films were both popular and loved. Ever since his first film, Special Education<\/em> (1977), he had been perceived by Yugoslav film critics as the voice of the first truly urban generation. His films from the 1980s were popular and \u2013 why not? \u2013 populist at the same time. The films like National Class<\/em> (1979) and Variola Vera<\/em> (1982) had turnouts of hundreds of thousands and scenes, songs and replicas from them became parts of mass culture. Also, Markovi\u0107 has always been inclined to popular genres such as sports films to disaster films to psychological horror films (Reflections<\/em>, 1987). He was praised, acclaimed and popular. Anything but a maverick, one should think.<\/p>\n\n\n\n

And yet, one couldn\u2019t be more wrong. There have been very few filmmakers who have antagonized the mainstream, the ruling ideologies and the prevailing taste in cinema as persistently as Goran Markovi\u0107.<\/p>\n\n\n\n

Almost all of his hit films from the \u201880s vivisected the late socialist period in Yugoslavia, presenting the society of the day as a society of empty phrases and slogans, gilded youth, opportunists and children unworthy of the heroic past \u2013 a society so similar to those in post-Yugoslav countries. These were not \u201cdissident\u201d movies; Markovi\u0107 knew then \u2013 as he knows now \u2013 that the real stories were not hiding in the Party and those in power, but rather in the civic opportunists and their pragmatic ways of coexisting with those in power. This is what National Class Category Up to 785ccm<\/em> (1979), Handymen, Handymen<\/em> (1985), Taiwan Canasta<\/em> (1985) and his final Yugoslav film, Tito and Me<\/em>, actually address. The Belgrade critic and columnist Teofil Pan\u010di\u0107 is right when he describes Markovi\u0107\u2019s characters from his \u201880s films as a prophecy announced. Take the hero of Taiwan Canasta<\/em>, says Pan\u010di\u0107, and you\u2019ll see one of those who would dominate the years to follow.<\/p>\n\n\n\n

Markovi\u0107 was making anticommunist films while Communism was still in power. In the 1990s, he switched to analyzing nationalism the same way. His Serbia, Year Zero<\/em> (2000) is a wrap-up of the Slobodan Milo\u0161evi\u0107 era. In 2002, the first year under the new, democratic government, he would make his The Cordon<\/em>, a film about the anti-Milo\u0161evi\u0107 revolt. But even there, the protagonists are not the demonstrators, but the policemen sent to protect the regime. Markovi\u0107 sticks to his perpetual theme: How do people capitulate? When do they become sleazeballs? How many steps does it take? Is any moral precondition required for it? Could it \u2013 God forbid \u2013 happen to me?<\/p>\n\n\n\n

Goran Markovi\u0107 was a popular artist in all regimes. He was a hitmaker. Audiences loved his films. Authorities never really loved him; they still don\u2019t. He is often attacked by aggressive tabloids. These days, when he is about to become a Motovun Maverick laureate, he is almost a persona non grata in his own country. No wonder \u2013 Markovi\u0107\u2019s films almost always poke where it hurts. He is a chronicler of the middle class who has sold its soul \u2013 not necessarily for money, but for comfort, noninterference and an easy, inert life. Markovi\u0107 is not after those in power. He is after us. And \u2013 admit it \u2013 that\u2019s what really hurts.<\/p>\n\n\n\n

This is why Goran Markovi\u0107 is a perfect Motovun Maverick\u201d.<\/p>\n\n\n\n

The acclaimed filmmaker will receive the award at this year\u2019s edition of the festival, taking place in Motovun from 26\u201330 July.<\/p>\n","protected":false},"excerpt":{"rendered":"

His films have become part of national mass culture \u2022 Markovi\u0107 is exposed to unprecedented media harassment in his own country This year\u2019s laureate of Motovun Film Festival\u2019s Maverick Award, given to authors for their free spirit and innovation in expanding the horizons of filmmaking, is the Belgrade filmmaker Goran Markovi\u0107. MFF programmer Jurica Pavi\u010di\u0107 […]<\/p>\n","protected":false},"author":5,"featured_media":37221,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_view_id":"","footnotes":""},"categories":[305],"tags":[],"class_list":["post-37256","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mff-2022-vijesti-en"],"acf":[],"yoast_head":"\nGORAN MARKOVI\u0106 \u2013 THIS YEAR'S MOTOVUN FILM FESTIVAL MAVERICK - Cinehill Film Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cinehill.eu\/en\/redatelj-goran-markovic-ovogodisnji-je-maverick-motovunskog-festivala\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"GORAN MARKOVI\u0106 \u2013 THIS YEAR'S MOTOVUN FILM FESTIVAL MAVERICK - Cinehill Film Festival\" \/>\n<meta property=\"og:description\" content=\"His films have become part of national mass culture \u2022 Markovi\u0107 is exposed to unprecedented media harassment in his own country This year\u2019s laureate of Motovun Film Festival\u2019s Maverick Award, given to authors for their free spirit and innovation in expanding the horizons of filmmaking, is the Belgrade filmmaker Goran Markovi\u0107. 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