PROPELER JURY MEMBERS: Jagoda Kaloper, Ruth Bradley, Simon Perry<\/p>\n
\tFor its humanity and tenderness the Motovun Propeller goes to 'La demora' directed by Rodrigo Plá, an expressive and sensitive story of a family's love realised with remarkable cinematic skill.<\/p>\n
\tZbog svoje humanosti i nje\u017enosti, Propeler Motovuna dobio je film 'La Demora' redatelja<\/p>\n
\tRodriga Pla. Ta izra\u017eajna i senzitivna pri\u010da o obiteljskoj ljubavi realizirana je s izuzetnim<\/p>\n
\tfilmskim umije\u0107em.<\/p>\n
\tBAUER JURY MEMBERS: Svetozar Cvetkovi\u0107, Pjer \u017dalica, Arta Dobro\u0161i, Marija \u0161kari\u010di\u0107, Karpo Godina, Nikola Vuk\u010devi\u0107, Vladimir Bla\u017eevski<\/p>\n
\tBauer nagradu dobiva film 'Klip' za izuzetnu autenti\u010dnost i autorsku beskompromisnost u tretiranju bolnih psiholo\u0161kih trauma aktualne tranzicijske stvarnosti. Film vje\u0161to bira prikladan na\u010din da vrlo direktno komunicira sa frustracijama i dilemama mlade generacije filmske publike.<\/p>\n
\tBauer Award goes to the film Clip, because of its authenticity and the author's<\/p>\n
\tuncompromising treatment of the painful psychological traumas of the period of transition we are experiencing. The film skillfully and directly communicates with the frustrations and dilemmas of younger cinemagoers.<\/p>\n
\tFIPRESCI JURY MEMBERS: Mima Simi\u0107, Dejan Trajkoski, Vladan Petkovi\u0107 <\/p>\n
\tFilm IGRA (Play, 2011) \u0161vedskog redatelja Rubena Östlunda upe\u010datljiv je i iznad svega slo\u017een prikaz suvremene Europe, prelomljen kroz prizmu odnosa mo\u0107i najmla\u0111ih generacija u najrazvijenijoj od demokracija. Izvrsno tempiranom naracijom dje\u010da\u010dke odiseje u kapitalisti\u010dkom svemiru Östlund se doti\u010de svih njegovih boljki – (auto-)rasizma, diktature politi\u010dke korektnosti, kao i strategije pobune i prilagodbe. Kombiniranjem dokumentaristi\u010dkog stila i hladnog oka nadzorne kamere Östlund posti\u017ee efekt stvarnosti, ali i upozorava na (politi\u010dki pasivni) voajerizam gledatelja. 'Igra' je film \u010dija majstorska formalna izvedba u potpunosti uspijeva obuhvatiti sve dimenzije trenuta\u010dno najosjetljivijih tema zapadne civilizacije.<\/p>\n
\tThe film Play (2011) by Swedish director Ruben Östlund is an impressive and, above all,<\/p>\n
\tcomplex presentation of modern Europe, depicted through the trial of strength of the youngest generations in one of the most developed democracies. Using excellent timing, Östlund’s narration about a children’s odyssey in the capitalist universe deals with all of its problems: (self)racism, rule of political correctness and strategies of rebellion and adjustment. By combining a documentary style and the cold eye of a surveillance camera, Östlund has achieved the effect of reality, warning at the same time on the (politically passive) voyeurism of the viewers. Play is a skillfully made film which manages to grasp all the aspects of currently most sensitive issues of the Western civilization.<\/p>\n","protected":false},"excerpt":{"rendered":"
In competition for best short movie the winner is – Elephant Feet<\/p>\n","protected":false},"author":1,"featured_media":951,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_view_id":"","footnotes":""},"categories":[42,40],"tags":[],"class_list":["post-2083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-mff-2012-en","category-news"],"acf":[],"yoast_head":"\n